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The Crowd

The Crowd

Simulation

Overview

The Crowd stands as one of gaming's most polarizing experiments – an unnerving digital art piece that elicits visceral reactions ranging from fascination to profound discomfort. This minimalist experience drops players into a monochromatic void populated by expressionless figures whose unblinking stares pierce through the screen. While praised for its haunting atmosphere and innovative concept, the overwhelming consensus suggests it falls short as a traditional game. Its sparse mechanics and deliberate lack of objectives leave many feeling unsettled yet underwhelmed, creating a peculiar tension between artistic ambition and player engagement.

The strange, wide-eye people just keep staring at you. Staring right in the face of YOU. As if that isn't unnerving enough, the people sing a strange kind of monk chant.
TheAwesomeMan

An Atmosphere of Unrelenting Dread

The Crowd's greatest achievement lies in its masterful crafting of unease. Stark black-and-white visuals render the human figures as hollow-eyed mannequins, their featureless faces becoming increasingly disturbing under scrutiny. The camera lingers uncomfortably close during interactions, amplifying the psychological weight of their collective gaze. This visual tension intertwines with the audio design to create something uniquely unsettling. Samuel Barber's "Adagio for Strings" resonates through the void as a haunting choral arrangement, with the crowd's mouths moving in perfect synchronization to the mournful harmonies. The sound design doesn't accompany the experience – it becomes the experience, wrapping players in a sonic blanket of existential dread that persists long after closing the game.

What makes this atmosphere particularly effective is its subtle interactivity. Selecting an individual causes nearby figures to form a silent circle around them, heightening the sense of ritualistic observation. The sparse environment contains no distractions or contextual clues, trapping players in a liminal space where the boundaries between observer and observed blur. This isn't horror in the traditional sense, but a slow-burning psychological discomfort that burrows under the skin.

Minimalist Mechanics, Maximum Creepiness

Interaction with The Crowd revolves around three simple verbs: advocate Love, Security, or Violence. Choosing "Love" transforms a selected figure into a choral conductor, their haunting melody gradually spreading through nearby individuals. "Security" arms them with a pistol that fires at random intervals, while "Violence" sets their head ablaze, turning them into a screaming torch that spreads fire through the crowd. These actions create ripple effects – singing extinguishes flames, armed figures protect against violence, and fire propagates with terrifying inevitability.

You play as some sort of god and you single out people and assign them some emotion. This emotion affects the emotions of people around him or her.
Gohst

The beauty of this system lies in its emergent storytelling. Watching love spread through a cluster of figures only to be violently extinguished by a flaming neighbor creates unintentional narratives about human nature. Yet this novelty wears thin rapidly. With only three interactions and no progression system, the experience becomes repetitive within minutes. The lack of goals or challenges transforms what could be a fascinating social simulator into a digital snow globe – beautiful to observe, but limited in engagement. The absence of any narrative framework or contextual explanation deepens the existential unease but also highlights the experience's fundamental emptiness as a game.

Artistic Experiment vs. Entertainment

The Crowd's divisive nature stems from its identity crisis. Many approach it expecting conventional gameplay, only to find an interactive art installation. Its power lies in emotional provocation rather than mechanical satisfaction. The monochromatic aesthetic and choral soundtrack create a cohesive artistic statement about conformity, emotion, and isolation. When experienced in darkness with headphones, it becomes a genuinely transcendental – if deeply uncomfortable – sensory journey.

It's almost allegorical in its presentation of humanity.
MadSickHowitzer

Yet this artistic merit comes at the expense of replay value. The initial twenty minutes deliver all possible experiences, with no variation or depth to sustain interest. The absence of customization, difficulty settings, or meaningful choices reinforces the sense of an unfinished prototype rather than a complete experience. While fascinating as a psychological study, its refusal to develop beyond its core concept leaves most players admiring its audacity while lamenting its unrealized potential.

Verdict

Haunting art piece lacking meaningful gameplay depth

STRENGTHS

60%
Atmospheric Tension95%
Sound Design90%
Visual Style85%
Conceptual Innovation80%

WEAKNESSES

40%
Gameplay Depth90%
Replay Value85%
Mechanical Variety80%
Accessibility70%

Community Reviews

20 reviews
Gohst
Gohst
Trusted

This is a twisted little game, which is more like a project than a game. You play as some sort of god and you single out people and assign them some emotion. This emotion affects the emotions of people around him or her. And you get to see the interaction of these people based on who has what emotion. The game is in stark black and white which gives it a very bizarre quality when matched with the music, as explained below. What is nice is when you select a person you go right up to them and the people nearby form a circle around him as if awaiting his fate and deciding how to act them selves. The music is choral and seems to be sung by the people you are controlling. They move their mouths in time with the music and as they stare at you it really gives a very eerie quality to the game. They have no control over how they act so they do nothing but sing. It’s weird. The game play is nice, however off putting it is, and seeing the interactions of the people in love vs the people who hate each other is very interesting but it’s just way too creepy to play for long. Over all it’s quite a superb game, which will intrigue the curious ones among you and possibly frighten the younger gamers out there. This game is very different and very far outside of ‘the box’ so, you have been warned.

Overview: Well, first of all, it's creepy. Real creepy. The strange, wide-eye people just keep staring at you. Staring right in the face of YOU. As if that isn't unnerving enough, the people sing a strange kind of monk chant. It's so disturbing, that, even with the sound off, you still get an eerie feeling that... YOU'RE BEING WATCHED. The graphics: (5/10) The graphics in this game are terribly creepy. Everything is in Black And White. The hand that holds the card also adds to the freakiness of this game. The sound: (3/10) Sound? You'll be hearing that "monk chant" throughout the whole game. Annoying and scary. The gameplay: (5/10) Actually, there isn't really much to write here, as this isn't much of a game. It's a neat experiment, but prepare to get bored (or creeped out) after two minutes. The plot: (0/10) As this is more of an experiment, there is no plot. Overall: (2/10) This is no game. This is just scary. Play this for an hour and prepare to have sleepless nights for a LONG time.

Cow'o'war
Cow'o'war
Trusted

I feel kind of bad rating this game "average" because it is a very innovative idea and the audio and visuals are very well done and its also quite innovative in the way that they apply to the gameplay. Unfortunately the gameplay just seemed pointless and I couldn't bring myself to play it for very long.

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